headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

5
Loose Lucy
Sept. 24, 1973
Civic Arena

Brilliant vocals. Jerry stretches it out. Funky, sexed up version.
2
They Love Each Other
Sept. 24, 1973
Civic Arena

Less reggae than the Spring '73 versions, this one is fully rockin'. Jer's on, both with vocals and solos.
13
The Other One
Sept. 21, 1973
The Spectrum

A must-hear. Goes through four or five melodic/rhythmic innovations, odd time sigs and a MLBesque jam outro. Avoid Lai's version with a nasty cut.
5
Truckin'
Sept. 21, 1973
The Spectrum

Stunning w/ great Phil solo into TOO. A 2nd set from heaven: LIG>He's Gone>Truckin>TOO>Wharf Rat. Don't be put off by 1st set flubs, listen to this!
9
Playin' In The Band
Sept. 21, 1973
The Spectrum

Subtle, simmering, with slow, steady intensity. To my ears this show has mix issues and needs re-work - but definitely worth it.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.