headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

4
Let It Grow
Sept. 15, 1973
Providence Civic Center

Phil's rippling fills. Full horns. At 8:00 a wild turkey (???) starts gobbling next to a mic and Jer responds mid-solo. Weird, chaotic and shredding.
7
Weather Report Suite
Sept. 15, 1973
Providence Civic Center

Historical oddity. Flute accompanyment to part one and full horn section throughout. Not everyone's cup of tea, but interesting.
3
Truckin'
Sept. 15, 1973
Providence Civic Center

An oddity. A ballsy Truckin' with full horn section. Weird fun in its odd way from a forgotten show.
3
Bird Song
Sept. 15, 1973
Providence Civic Center

This one and the one 3 days earlier are both inventive and experimental - really soaring. Rough AUD though.
1
Tennessee Jed
Sept. 15, 1973
Providence Civic Center

1st set suffers from rough AUD, but this Jed soars. Jer rages, building it into a triumph. Headphones only.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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