headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

20
China Cat Sunflower -> I Know You Rider
July 1, 1973
Universal Amphitheatre

Rock-solid China with Jerry twisting and pulling its melodic basis throughout a great solo + great Feeling Groovy trans. into Rider.
16
Me and My Uncle
July 1, 1973
Universal Amphitheatre

By far the most snarlingly bad-assed version of 1973. Jer's lines it up and shoots it down, soloing intesely throughout the whole song.
24
Playin' In The Band
July 1, 1973
Universal Amphitheatre

25 minutes of nirvana. Absolutely everything a Playin' fan could look for - with that strange summer '73 blissed-out "intense mellow".
13
Dark Star
June 30, 1973
Universal Amphitheatre

Mellow jam leading to a slow simmert, then boils and finally melts down brilliantly into a pristine Eyes. Why isn't this here yet?
3
El Paso
June 30, 1973
Universal Amphitheatre

Cowboy Bob and the Mexican Maiden at high speed rip-roaring tempos. Great bursting energy.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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