headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49767


Submissions

8
Playin' In The Band
Dec. 11, 1972
Winterland Arena

Expansive and spacious with brilliant flashes. Has a few bad AUD patches in need of a fix but well worth the ride.
7
Friend of the Devil
Dec. 11, 1972
Winterland Arena

Short and sweet. Not lickety-split quick pickin' à la 1970-71 and certainly not a slow-as-cold-molasses 80's style either, but nice and right. A gem.
6
Me and Bobby McGee
Dec. 11, 1972
Winterland Arena

Unique version. Great vocals with Jerry singing backup. Classic '72 sound.
4
Good Lovin'
Jan. 3, 1970
Fillmore East

Back from when this wasn't just a toss-off after Drums/Space. High voltage Pig.
3
Cosmic Charlie
Jan. 3, 1970
Fillmore East

Not mellow. Not spaced-out sweetness, but a burning hot re-entry after a rocketship TOO.
show more submissions

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)