headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

11
Let It Grow
June 3, 1976
Paramount Theatre

How is this not here?!? Shoots out of cannon at light speed (after a slooooooow '76 Wharf Rat).
6
China Doll
May 13, 1973
Iowa State Fairgrounds

China Doll always helped bring us back down. Listen to this one coming after 62+ minutes of high-powered jamming and fully comprehend its beauty.
2
Brown Eyed Women
May 13, 1973
Iowa State Fairgrounds

A beauty. Jer's vocals are spot on. Gears up for a mega-epic 2nd half of the set. Listen through the hiss on the archive and enjoy.
18
Playin' In The Band
May 13, 1973
Iowa State Fairgrounds

28 minutes of groove. Playin' at its finest - but the hiss on the archive version is bad. C. Miller cleaned up part of this show - keep going sir!
11
Here Comes Sunshine
May 13, 1973
Iowa State Fairgrounds

Never a bad '73 version: Listen through the hiss (headphones, folks) for a diamond in the rough. Apparently a rainbow emerged during it, really.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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