headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

4
Sugar Magnolia
March 21, 1973
Utica Memorial Auditorium

The sugar's sweet - but the daydream just blows everything else away with joy.
6
Brokedown Palace
March 21, 1973
Utica Memorial Auditorium

Musical and sweet with great harmonies. Brilliant show with many great, mellow versions of their '73 setlist.
11
Playin' In The Band
March 21, 1973
Utica Memorial Auditorium

Exploratory simmering energy. Phil and Jerry co-soloing on a high plane of endless inspiration. Not a barn-burner, but smooth and abstract.
4
China Cat Sunflower -> I Know You Rider
March 21, 1973
Utica Memorial Auditorium

Snazzy light and tight. China's melody is a traipsing psychadelic counterpoint, a perfect trans into Rider. Good vibes.
8
The Other One
March 19, 1973
Nassau Coliseum

Complicated rising and falling arc to the energy, but great jam. Long Truckin>TOO>Eyes in a great 2nd set. Sound quality problems though.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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