headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Pretty Peggy O
Jan. 18, 1978
Stockton Civic Auditorium

Jer sings thrôugh a cold, but the beauty and sweetness shines through. Sounds like he would 10 years later, but with the '78 sound. Full of love.
3
Tennessee Jed
Sept. 19, 1972
Roosevelt Stadium

If you can get past the migraine-inducing AUD, this is one rowdy shitkicker that riles up the fun-loving crowd.
1
One More Saturday Night
Sept. 17, 1972
Baltimore Civic Center

Smokin' hot encore to finish off one brilliant mother of a show. OMSN isn't many folk's fave tune, but this one just rocks hard.
8
Uncle John's Band
Sept. 17, 1972
Baltimore Civic Center

This show has biting hardness throughout, then this seems a bit la-la until the 7/4 parts, and that grit returns with crunching nastiness. Excellent!
10
Me and My Uncle
Sept. 17, 1972
Baltimore Civic Center

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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