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Carrion_Crow

Stealth Head

+49667


Submissions

5
The Other One
Nov. 16, 1970
Fillmore East

Whether it's the 16th or 23rd, it's a killerdillerthriller. Ripping version, with a perfect transition from Truckin'.
2
Big Railroad Blues
Nov. 16, 1970
Fillmore East

Energy and power that struts its stuff. This show seems direly overlooked. Very nice mix and sound quality.
5
China Cat Sunflower -> I Know You Rider
Nov. 16, 1970
Fillmore East

Beautiful jam and transition. The mix shows off Bobby nicely, which is rare for the era. His contribution is beautiful here. Enjoy.
2
King Bee
Nov. 16, 1970
Fillmore East

Sultry swaggering deeply opiated vibe, with a hot harp solo. Was this Pig or Will Scarlet?
3
Cold Rain and Snow
Nov. 16, 1970
Fillmore East

Exceptional version, slightly mellower tempo, with great harmonies and tight jamming. Surprised it's not here yet.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.