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Carrion_Crow

Stealth Head

+49667


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.