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Carrion_Crow
Stealth Head
+49667
Submissions
3
Turn On Your Love Light
Jan. 10, 1970
Community Concourse
Wait a minute! Hard to figure how this one hasn't been posted yet. Very solid all 'round performance by all.
3
Cold Rain and Snow
Jan. 10, 1970
Community Concourse
Clear, pure, and beeyootiful. The boys' voices are on, the sound well mixed, and all is well.
5
Hard to Handle
Jan. 10, 1970
Community Concourse
Tight, sweet version. Doesn't have the inferno element from some at the top, but a strong one nevertheless.
4
Wharf Rat
June 20, 1987
Greek Theater
Comes in super sweetly after a short and scary TOO, like feather whispers needed to get the mind back in the body. Good trip guiding, really.
3
The Other One
June 20, 1987
Greek Theater
Bobby's Satan's-goina-getchya vocals add to the wild speedy visciousness of this monster.
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Comments
They Love Each Other
June 10, 1976
Boston Music Hall
Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall
Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall
Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall
Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall
The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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