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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

16
St. Stephen
Nov. 2, 1969
Family Dog at the Great Highway

One of the definitive DS>SS>11 suites and it power rocks on its own. Young'uns: don't forget good '69...fear not and dive in!
5
Wharf Rat
April 14, 1971
Davis Gym, Bucknell University

Stretches further out than earlier ones, like the Birdsong before they seemed to find WR's deeper groove and go furthur with it. Result? Beeyootiful.
5
Sing Me Back Home
April 14, 1971
Davis Gym, Bucknell University

Saddle up heads, this is one of the nicest ones I know. Pre-Donna Jean, but the boys cover it with driving intensity and its nicely mixed for the era.
2
Bertha
April 14, 1971
Davis Gym, Bucknell University

Nailed it. Part of the great April run that coalesces the '71 sound. Killing 1st set with manageable mix and saturation issues.
4
Goin' Down The Road Feelin' Bad
April 12, 1971
Civic Arena

One of the tightest and best jams I've ever heard. Absolute magic. Goes straight into a killer Lovelight. This is an amazing show. Check it out.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.