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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

6
Black Peter
Dec. 19, 1969
Fillmore Auditorium

One of the first, and its strong and tight and powerful. Is there a bad show from Dec. '69?
2
Turn On Your Love Light
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Goes way off the rails with Bobby, Pig, audience members and Phil all acting quite mad. Reminds me of some of the Acid Test recordings. A rarity.
4
The Eleven
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Expanding over 14 minutes, this one covers different themes and vibes with great streches for soloing. Low-fi AUD.
4
Dark Star
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Some AUD probs but a glowing, surging perfect slice of '69 Dead. Begins acoustically. A rare treat from under the radar.
2
Mountains of the Moon
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Buried in bad AUD murk and hiss, this was the last one ever performed. It's longer, slower and beautiful. A gem for completist collectors only.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.