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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49722


Submissions

45
Playin' In The Band
Dec. 19, 1973
Curtis Hixon Convention Hall

Really Heads? Not here yet? 21 minutes of super fine hotandheady jam. Blazing hot, capping off a year of just outrageous Playin' playing.
14
Candyman
April 15, 1970
Winterland Arena

Don't know the '70s versions enough to say "unique", but check this one out for beeeautiful vocals over light-as-light sweet acoustic playing.
21
Cold Rain and Snow
April 15, 1970
Winterland Arena

The boys start the show with all guns blazing. Seems like they'd open with this when they were most massive. Ahhhh, Winterland.
7
Jack Straw
Dec. 18, 1973
Curtis Hixon Convention Hall

The band has come together, the vocals are warm, the solos are sharp, so strap on boys and girls 'cause this show just ignites from here on out....
9
Caution
Sept. 20, 1970
Fillmore East

Great Caution, but absofreakinglutely outrageous feedback into the deep deep space and back. Face stolen, body floating -> Bid You Goodnight. Damn.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.