headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

8
Stella Blue
Sept. 12, 1973
William and Mary College Hall

Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.
6
Let It Grow
Sept. 12, 1973
William and Mary College Hall

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.
3
Loose Lucy
Sept. 12, 1973
William and Mary College Hall

Sweaty funky and a little bit loose - just like the lady in the song.
8
Bird Song
Sept. 12, 1973
William and Mary College Hall

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.
4
Ramble On Rose
Sept. 12, 1973
William and Mary College Hall

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.
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