headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

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Submissions

1
Brown Eyed Women
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

The Bear tape is a bit over-saturated, but the band is just killing it from all corners. Don't pass this one up out of aud-o-phobia.
3
China Cat Sunflower -> I Know You Rider
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Look for the Bear recording, which is the proper speed: You'll find a killer version with an explosive transition than just soars.
1
Loser
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Jerry's diamond hard-edged tone slices and slashes achingly, hauntingly, and clear desperado mode.
5
Bird Song
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Just Jerry, Phil, and Bobby are audible in this weird tape - but what a study of their communication. Worth a listen for that alone.
2
Deal
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Channels missing in the SBD (no keys, quite vocals), but if you want to study just Jerry's solo, (and it's a killer one), then give this a spin.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.
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