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CrackStraw

Bob's Guitar #1

+5611


Submissions

1
Black Throated Wind
Aug. 14, 1991
Cal Expo

Top 3 of '91, 6/14, 6/6 and definetly 8/14. So much emotion and great ad libbing
4
Cold Rain and Snow
Sept. 4, 1991
Richfield Coliseum

I'm noticing a pattern, very few people are into '91 as much as me
3
Cold Rain and Snow
May 10, 1991
Shoreline Amphitheatre

Hows this absent this many years into this projec?
1
Cold Rain and Snow
Aug. 14, 1991
Cal Expo

If you like '91 you'll love the 4 headed weather song attack with great versions of CRS, BTW!, Jimmy! LLR! and they play Box of Rain...
3
Cold Rain and Snow
Feb. 28, 1981
Uptown Theater

Killer version during 3 cold great nights in Chicago. Jerry does some turbo plucking towards the end. Very solid SBD

Comments

Jack Straw
May 7, 1978
Field House - Rensselaer Polytechnic Institute

More people need to check this out. Jerry's playing/timing is so odd - it's like he's playing backwards. It's really far out yet still rocks
Jack Straw
Oct. 10, 1980
Warfield Theater

Not a bad version but IMO the best version from the Warfield shows is 9/29/80. Great recording of it as well. The jam goes the extra distance and Jerry wails.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

This is probably my 3rd favorite version of the tour. 5/21 and 5/25 get the nod. But don't overlook 5/11, 5/12 and 5/17. What makes this one special is excellent team work and it's the night I believe they figured out how to make this song great.
I Need A Miracle
Oct. 17, 1978
Winterland Arena

Miracle is always a nice part of the show, this time it's a spectacle. 'From Egypt With Love' is very accurate! The post-trip energy translated into high % of great shows between this Winterland run through 2/17/79.
Jack Straw
Oct. 17, 1978
Winterland Arena

This sound just synches up ideally with Hunter's lyrics. The whole first set are cowboy songs and the band nails the sound. Bobby's playing like a John Wayne level alpha dog all night. The entire supporting cast sounds excellent as well. It's GD auditioning to play a Spaghetti Western soundtrack. Recording might as well be a Betty Board(A+). There's so much 'space' between notes this night. Each musician's sound is fairly represented, I dig the ease to isolate particular sounds.