headyversion

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CrackStraw

Bob's Guitar #1

+5611


Submissions

6
China Cat Sunflower -> I Know You Rider
May 6, 1970
Kresge Plaza - MIT

My only rec from anything out of '70 - this entire show has special place in my heart
4
Throwing Stones
July 17, 1988
Greek Theater - University of California

Perfect final chorus. Love it when Garcia chimes in with 'and you got yours!'Like he's directly speaking to his bandmates
2
Promised Land
June 25, 1978
Autzen Stadium, U. of Oregon

This one is VERY sloppy,but rocks the hell out. 9/10 thanks to Jerry/Keith interplay
3
Jack Straw
Jan. 13, 1980
Oakland-Alameda County Coliseum

Mean and ugly. Build up will not dissapoint
8
Cold Rain and Snow
Aug. 30, 1980
The Spectrum

Unique,fuzzy, a pillar from a great show
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Comments

Jack Straw
May 7, 1978
Field House - Rensselaer Polytechnic Institute

More people need to check this out. Jerry's playing/timing is so odd - it's like he's playing backwards. It's really far out yet still rocks
Jack Straw
Oct. 10, 1980
Warfield Theater

Not a bad version but IMO the best version from the Warfield shows is 9/29/80. Great recording of it as well. The jam goes the extra distance and Jerry wails.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

This is probably my 3rd favorite version of the tour. 5/21 and 5/25 get the nod. But don't overlook 5/11, 5/12 and 5/17. What makes this one special is excellent team work and it's the night I believe they figured out how to make this song great.
I Need A Miracle
Oct. 17, 1978
Winterland Arena

Miracle is always a nice part of the show, this time it's a spectacle. 'From Egypt With Love' is very accurate! The post-trip energy translated into high % of great shows between this Winterland run through 2/17/79.
Jack Straw
Oct. 17, 1978
Winterland Arena

This sound just synches up ideally with Hunter's lyrics. The whole first set are cowboy songs and the band nails the sound. Bobby's playing like a John Wayne level alpha dog all night. The entire supporting cast sounds excellent as well. It's GD auditioning to play a Spaghetti Western soundtrack. Recording might as well be a Betty Board(A+). There's so much 'space' between notes this night. Each musician's sound is fairly represented, I dig the ease to isolate particular sounds.
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