headyversion

find the best versions of grateful dead songs

please login or register.

CrackStraw

Bob's Guitar #1

+5611


Submissions

4
Lazy Lightnin' -> Supplication
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Supplication!!! I know Keith is playing cheesy bullshit - maybe that's why the other 5 guys are on fire?
3
New Minglewood Blues
Jan. 17, 1978
Sacramento Memorial Auditorium

Sloppy show over all - here's the outlier , it's got that undeniable Jan '78 smoky flavor
11
Cold Rain and Snow
Dec. 27, 1977
Winterland Arena

Most bad ass of '76-'79 - on the whistle!
10
Its All Over Now
Sept. 28, 1976
Onondaga County War Memorial

4
Picasso Moon
June 1, 1991
Los Angeles Coliseum

Comments

Jack Straw
May 7, 1978
Field House - Rensselaer Polytechnic Institute

More people need to check this out. Jerry's playing/timing is so odd - it's like he's playing backwards. It's really far out yet still rocks
Jack Straw
Oct. 10, 1980
Warfield Theater

Not a bad version but IMO the best version from the Warfield shows is 9/29/80. Great recording of it as well. The jam goes the extra distance and Jerry wails.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

This is probably my 3rd favorite version of the tour. 5/21 and 5/25 get the nod. But don't overlook 5/11, 5/12 and 5/17. What makes this one special is excellent team work and it's the night I believe they figured out how to make this song great.
I Need A Miracle
Oct. 17, 1978
Winterland Arena

Miracle is always a nice part of the show, this time it's a spectacle. 'From Egypt With Love' is very accurate! The post-trip energy translated into high % of great shows between this Winterland run through 2/17/79.
Jack Straw
Oct. 17, 1978
Winterland Arena

This sound just synches up ideally with Hunter's lyrics. The whole first set are cowboy songs and the band nails the sound. Bobby's playing like a John Wayne level alpha dog all night. The entire supporting cast sounds excellent as well. It's GD auditioning to play a Spaghetti Western soundtrack. Recording might as well be a Betty Board(A+). There's so much 'space' between notes this night. Each musician's sound is fairly represented, I dig the ease to isolate particular sounds.