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CrackStraw

Bob's Guitar #1

+5611


Submissions

3
Not Fade Away
Aug. 5, 1979
Oakland Auditorium Arena

Sweet NFA>Wharf Rat. Ace' rhythm is tight all night
1
Hell in a Bucket
April 12, 1986
Irvine Meadows

Probably my favorite '86 show and 2nd hottest song of the night behind killer Straw to end set 1
1
Sugar Magnolia
Jan. 18, 1978
Stockton Civic Auditorium

Jerry's tone this night sounds like a howling elephant, translating into excellent rocker of a Sugar Mags
1
Row Jimmy
Jan. 18, 1978
Stockton Civic Auditorium

Pretty standard for the era (77-78) but IMO it still crushes any version from the 80s
2
Jack Straw
Jan. 18, 1978
Stockton Civic Auditorium

During the jam Jerry cycles between power chords and sick noodling, it's played so well they played it again their next show.

Comments

Jack Straw
May 7, 1978
Field House - Rensselaer Polytechnic Institute

More people need to check this out. Jerry's playing/timing is so odd - it's like he's playing backwards. It's really far out yet still rocks
Jack Straw
Oct. 10, 1980
Warfield Theater

Not a bad version but IMO the best version from the Warfield shows is 9/29/80. Great recording of it as well. The jam goes the extra distance and Jerry wails.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

This is probably my 3rd favorite version of the tour. 5/21 and 5/25 get the nod. But don't overlook 5/11, 5/12 and 5/17. What makes this one special is excellent team work and it's the night I believe they figured out how to make this song great.
I Need A Miracle
Oct. 17, 1978
Winterland Arena

Miracle is always a nice part of the show, this time it's a spectacle. 'From Egypt With Love' is very accurate! The post-trip energy translated into high % of great shows between this Winterland run through 2/17/79.
Jack Straw
Oct. 17, 1978
Winterland Arena

This sound just synches up ideally with Hunter's lyrics. The whole first set are cowboy songs and the band nails the sound. Bobby's playing like a John Wayne level alpha dog all night. The entire supporting cast sounds excellent as well. It's GD auditioning to play a Spaghetti Western soundtrack. Recording might as well be a Betty Board(A+). There's so much 'space' between notes this night. Each musician's sound is fairly represented, I dig the ease to isolate particular sounds.