headyversion

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CrackStraw

Bob's Guitar #1

+5611


Submissions

3
The Music Never Stopped
Feb. 3, 1979
Market Square Arena

This is Godchaux's 2nd to kast TMNS. Just like their behavior, this versionn is a ticking bomb and does what you want out of a TMNS
13
Althea
Feb. 26, 1981
Uptown Theater

High octane version during first of 3 excellent shows in Chitown to start the year
5
Althea
Dec. 28, 1980
Oakland Auditorium

All around great show and the Althea rips like the rest of murder's row from '80
5
Althea
March 20, 1991
Capital Centre

Guitars clash and clank during it's climatic finish
2
Cold Rain and Snow
March 20, 1991
Capital Centre

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Comments

Jack Straw
May 7, 1978
Field House - Rensselaer Polytechnic Institute

More people need to check this out. Jerry's playing/timing is so odd - it's like he's playing backwards. It's really far out yet still rocks
Jack Straw
Oct. 10, 1980
Warfield Theater

Not a bad version but IMO the best version from the Warfield shows is 9/29/80. Great recording of it as well. The jam goes the extra distance and Jerry wails.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

This is probably my 3rd favorite version of the tour. 5/21 and 5/25 get the nod. But don't overlook 5/11, 5/12 and 5/17. What makes this one special is excellent team work and it's the night I believe they figured out how to make this song great.
I Need A Miracle
Oct. 17, 1978
Winterland Arena

Miracle is always a nice part of the show, this time it's a spectacle. 'From Egypt With Love' is very accurate! The post-trip energy translated into high % of great shows between this Winterland run through 2/17/79.
Jack Straw
Oct. 17, 1978
Winterland Arena

This sound just synches up ideally with Hunter's lyrics. The whole first set are cowboy songs and the band nails the sound. Bobby's playing like a John Wayne level alpha dog all night. The entire supporting cast sounds excellent as well. It's GD auditioning to play a Spaghetti Western soundtrack. Recording might as well be a Betty Board(A+). There's so much 'space' between notes this night. Each musician's sound is fairly represented, I dig the ease to isolate particular sounds.
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