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find the best versions of grateful dead songs

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DaGoodolRichard

TimelessTravel

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Submissions

1
Ramble On Rose
Oct. 24, 1971
Easttown Theatre

This is a clear and well delivered version of this song. Jerry's vocals are strong and Keith is adding some very nice honky-tonk piano!
4
Good Morning Little Schoolgirl
Feb. 4, 1969
The Music Box

Very solid bluesy show opener for what whould soon be a psychadelic explosion. Jerry's Gibson tone permiates your bones.
1
The Eleven
April 15, 1969
The Music Box

This is pure 69 psychadelic energy, at it's very best!
1
Truckin'
March 24, 1971
Winterland Arena

Crisp, clean and energetic. Bobby's guitar is up in the mix, and it was about 8 months before Keith's piano would step on his complex rythm work!
5
The Other One
March 24, 1971
Winterland Arena

This is another example of the fantastic, energetic, psyhadelic magic that the boys got, post Mickey and pre Keith!

Comments

Days Between
July 27, 1994
Riverport Amphitheatre

Watch the video of this perfomance, taken by an audience member. The lighting makes Jerry look ghost like. It's beutiful, though.
Days Between
July 27, 1994
Riverport Amphitheatre

This was the last song that Hunter and Garcia colaborated on. It is also one of their masterpieces. This is my favorite version. As memorium to Robert Hunter, I will only submit signifigant versions of the best Robert Hunter collaborations untill I have run through all of them. That's gonna take a while.
Brokedown Palace
June 25, 1995
RFK Stadium

^^^^ Agreed, I listend to it. It was difficult to take it in, but beutiful. They are both gone now. We can only commemorate the wonderful songs that they created the best way that we can, by listening and sharing. I'm glad we have each other for support during this difficult time.
It Must Have Been The Roses
May 4, 1977
The Palladium

One of the best. Words and music by the great Robert Hunter R.I.P.
Loser
Nov. 15, 1971
The Austin Municipal Auditorium

This, lost, Loser is for anyone who truly appreciates this song, and for 1971 aficionados, DS67 and E5, for example. This one stands up to any other version, in my opinion, including Barton Hall and Albany -1990. Jerry took a "less is more" approach on his Strat solo, simple but perfect for this song. Bobby's rhythm is strong and audible. Keith is adding some tasty honkytonk piano, and he's mixed low enough to not cover up Bobby's guitar playing. This song, and the entire show, should be listened to, or revisited!