headyversion

find the best versions of grateful dead songs

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DaGoodolRichard

TimelessTravel

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Submissions

4
Beat it on Down The Line
March 12, 1966
Danish Center

This could have been the debute of this song. A very young Bobby is kind of yelling it. It's interesting to hear how these early covers evolved.
1
Black Peter
Oct. 25, 1980
Radio City Music Hall

This is a beautiful and emotional version, it's hard to hear over the crowd noise, but they where digging it!
3
Cream Puff War
Dec. 4, 1966
The Matrix Club

Every bit as good as 12-01-66. in my oponion. Tight and energetic.
2
New Minglewood Blues
Aug. 2, 1976
Colt Park

Bobby was singing with clarity and authority on this one. This is a good tight version.
2
Samson and Delilah
Aug. 2, 1976
Colt Park

Billy and Micky lay down a tight rythm for every one to lock into, and they do. Crowd noize on all sources that i've heard.
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Comments

Cryptical Envelopment
April 6, 1969
Avalon Ballroom

Another hidden gem from 69. This whole show cooks!
Death Don't Have No Mercy
Feb. 15, 1969
Electric Factory

Good find Mr Peach! I don't know how I missed this one. I don't know how any 69 lover could have missed this one. Even though the early part of Jerry's into solo is cut off, It's probably the most fitting intro he's done on this song. Bobby's doing some nice rhythm work and TCs adding some appropriate organ parts on this one. This could be in my top 3 after 10/12/68, I'll have to re-listen to that one.
China Cat Sunflower -> I Know You Rider
July 2, 1971
Fillmore West

I don't think Phil was out of tune. I Think he was hitting, or trying out some odd notes, in the intro, then he got right back into his usual bass lines. If any thing, Jerry and Bobby where a little out of tune because they re-tuned right after this song. As for the song, I love the single kit- pre Keith and Jerry on Strat era. This one definitely fits that bill.
The Eleven
June 5, 1969
Fillmore West

Jerry was completely deconstructing the intro lead lines on this version. Then he transitions back to the more familiar arpigios that we know and love. This was Jerry doing Jerry Things! I love that!
Death Don't Have No Mercy
Oct. 12, 1968
Avalon Ballroom

Enthusiastic energy and that fantastic Gibson tone, that Jerry was getting in this era, make for a an iconic psychedelic experience. I love the ending chord that Jerry lays down. This entire show is a mind blower!
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