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DaGoodolRichard

TimelessTravel

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Submissions

3
Hurts Me Too
Dec. 5, 1971
Felt Forum - Madison Square Garden

Pig comes alive during this song as well as this entire show, and Jerry respond's to his energy level, as does the whole band. I love this show!
1
Casey Jones
Dec. 5, 1971
Felt Forum - Madison Square Garden

It's nearing the end of 71, Keith is on on board now; their tight and energetic, 72 here they come!
2
Big Boss Man
Dec. 5, 1971
Felt Forum - Madison Square Garden

Pigs vocals and harmonica are at a high and energetic level on this version. Jerry's guitar playing is a must listen, really!
1
Beat it on Down The Line
Dec. 5, 1971
Felt Forum - Madison Square Garden

This is a high energy and very well played version of this song. Bobby is in very good form here.
2
St. Stephen
April 12, 1969
Student Union Ballroom, U. Utah

Good St. Stephen, sanwiched between D.S and The Eleven. Classic Pyhicedelia in the heart of Utah!
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Comments

Cryptical Envelopment
April 6, 1969
Avalon Ballroom

Another hidden gem from 69. This whole show cooks!
Death Don't Have No Mercy
Feb. 15, 1969
Electric Factory

Good find Mr Peach! I don't know how I missed this one. I don't know how any 69 lover could have missed this one. Even though the early part of Jerry's into solo is cut off, It's probably the most fitting intro he's done on this song. Bobby's doing some nice rhythm work and TCs adding some appropriate organ parts on this one. This could be in my top 3 after 10/12/68, I'll have to re-listen to that one.
China Cat Sunflower -> I Know You Rider
July 2, 1971
Fillmore West

I don't think Phil was out of tune. I Think he was hitting, or trying out some odd notes, in the intro, then he got right back into his usual bass lines. If any thing, Jerry and Bobby where a little out of tune because they re-tuned right after this song. As for the song, I love the single kit- pre Keith and Jerry on Strat era. This one definitely fits that bill.
The Eleven
June 5, 1969
Fillmore West

Jerry was completely deconstructing the intro lead lines on this version. Then he transitions back to the more familiar arpigios that we know and love. This was Jerry doing Jerry Things! I love that!
Death Don't Have No Mercy
Oct. 12, 1968
Avalon Ballroom

Enthusiastic energy and that fantastic Gibson tone, that Jerry was getting in this era, make for a an iconic psychedelic experience. I love the ending chord that Jerry lays down. This entire show is a mind blower!
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