headyversion

find the best versions of grateful dead songs

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DaGoodolRichard

TimelessTravel

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Submissions

3
Brown Eyed Women
Aug. 2, 1976
Colt Park

Great version of this song, percision and energy.
2
Dire Wolf
Nov. 29, 1970
Club Agora

This is a murky recording but a solid version of DW. Jerry was laying down some nice "twangy" country licks on this one.
12
Not Fade Away
Feb. 13, 1970
Fillmore East

Incredibly energetic version, Bobby is at his best on this one. This was from a Fillmore East show, how could it not have been submited.

Comments

Good Lovin'
May 19, 1966
Avalon Ballroom

I think this was the first time they performed this song, from what I can tell from the archive. It's probably the closest to punk rock that these guys have ever been, fast and furious. Good early recording too, as is this whole concert.
Black Peter
June 27, 1985
SPAC

I agree, Jerry's vocals are strong and emotive, on this one. Brent's organ work is stellar, as well.
To Lay Me Down
Oct. 25, 1980
Radio City Music Hall

It was hard to hear this performance because of the crowd noise, on all the sources that I listened to. I can tell that this is a heart felt rendition, though. All the late 1980 versions are lovely, with Brent's harmonies and piano work, a year onto his tenure with the boys.
Row Jimmy
Dec. 28, 1979
Oakland Auditorium

This is a very significant version of Row Jimmy. I'm pretty sure that's Bobby taking the slide solo at about 5 minutes in. It's on the right channel, and you can hear Jerry laying back on the right channel. Brent provides nice harmonies and electric piano to this one. The whole thing is crisp and clean. Good find Dead Lawyer.
Dark Star
Oct. 20, 1968
Greek Theatre - University of California

I love the late 68 Dark Stars. They where still playing around with the structure of the song. The drums where still absent at that time, and they hadn't explored longer experimental jamming yet. But they had come a long way since the, even shorter, early 68, Dark Stars. This one is perky and tight. I like Jerry's melodic choices during his solos.
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