headyversion

find the best versions of grateful dead songs

please login or register.

DaGoodolRichard

TimelessTravel

+1563


Submissions

2
Stella Blue
April 26, 1977
Capitol Theater

Not the best recording, but Jerry vocals are just right on this version.
3
Throwing Stones
July 12, 1987
Giants Stadium

Bobby's voice is in top form on this tight, energetic version. The transition into NFA is flawless.
2
Not Fade Away
July 12, 1987
Giants Stadium

This is a tight, high enegy, version. Really about as good as this song got. You can tell the audience agreed.
1
Don't Ease Me In
Nov. 6, 1970
Capitol Theater

Good acoustic version of this song. The audio quality isn't as good as the 05/70 versions but the playing and vocals are quite good.
1
Attics of My Life
Nov. 6, 1970
Capitol Theater

From an all acoustic set. Tight harmonies on this one.

Comments

Cream Puff War
March 18, 1967
Winterland Arena

This is the epidemy of the early psychedelic rock sound. I love the tone that Jerry was getting back then. Much like the other San Francisco band like the Airplane and Big Brother where getting. They must have been using Twin reverb amps back then. I was 13 years old at the time of this concert, that sound really resonates with me.
Dark Star
May 15, 1970
Fillmore East (Late Show)

The Fillmore East shows always seemed to have a special energy to them. This is a good example. No keys, so Bobby is up in the mix. Every one sounded good.
Dark Star
July 31, 1971
Yale Bowl, Yale University

This version moves along very well partially driven by Bobby, who's guitar you can actually hear. At about 15 min, Jerry changes gears and starts a smoking jam. every one is on the same page on this one.
Dark Star
Feb. 7, 1969
Stanley Theater

Nice early 69 version. Both Bobby and TC are audible on this one. Jerry is in good form as are the drummers. Phil is hard to hear, at least on the recording that I heard.
Dark Star
May 11, 1972
Rotterdam Civic Hall

I think this is 47 minutes well spent. It seamlessly travels through a variety of sounds and moods, contemplative, jazzy, uplifting and scary. Billy even takes a drum solo 13 minutes in, and it works to change the direction. This is a show that would have been best experienced live; lucky Dutch hippies.