headyversion

find the best versions of grateful dead songs

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DaGoodolRichard

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Submissions

4
Beat it on Down The Line
March 12, 1966
Danish Center

This could have been the debute of this song. A very young Bobby is kind of yelling it. It's interesting to hear how these early covers evolved.
1
Black Peter
Oct. 25, 1980
Radio City Music Hall

This is a beautiful and emotional version, it's hard to hear over the crowd noise, but they where digging it!
3
Cream Puff War
Dec. 4, 1966
The Matrix Club

Every bit as good as 12-01-66. in my oponion. Tight and energetic.
2
New Minglewood Blues
Aug. 2, 1976
Colt Park

Bobby was singing with clarity and authority on this one. This is a good tight version.
2
Samson and Delilah
Aug. 2, 1976
Colt Park

Billy and Micky lay down a tight rythm for every one to lock into, and they do. Crowd noize on all sources that i've heard.
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Comments

Can't Come Down
Nov. 3, 1965
Golden State Studios

^^Yes, the Dylan influence is very evident here. I think it's just as much influenced by the Yard Birds. This was a really good demo session. It's interesting to hear this early stuff, they where finding there way during the very early psychedelic era.
Wharf Rat
Dec. 31, 1976
Cow Palace

Bobby and Donna provide some beautiful vocal harmonies on this one. Jerry's solos are especially soaring on this version, partially due to the Travis Bean guitar that he was using at the time.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Phil is really driving this Eyes is along. This is fast, and energetic. Jerrys playing is especially crisp on this one. The T.B is perfectly suited for his high register solo work. And as every one else has stated, they transition into Wharf Rat flawlessly.
Not Fade Away
July 12, 1987
Giants Stadium

Attention all NFA fans. This one is precise and energetic. I could see this in any head's top 5. This song is form the 87 Giants stadium show that was recently release as part of a box set. The soundboard transfer is good, probably not as good as the box set, though.
Brokedown Palace
Nov. 7, 1971
Harding Theatre

This is a strong, tight rendering of this beutiful song. Kieth was providing some nice piano flourishes, and he was less then a month in!
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