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DaGoodolRichard

TimelessTravel

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Submissions

1
Ramble On Rose
Oct. 24, 1971
Easttown Theatre

This is a clear and well delivered version of this song. Jerry's vocals are strong and Keith is adding some very nice honky-tonk piano!
4
Good Morning Little Schoolgirl
Feb. 4, 1969
The Music Box

Very solid bluesy show opener for what whould soon be a psychadelic explosion. Jerry's Gibson tone permiates your bones.
1
The Eleven
April 15, 1969
The Music Box

This is pure 69 psychadelic energy, at it's very best!
1
Truckin'
March 24, 1971
Winterland Arena

Crisp, clean and energetic. Bobby's guitar is up in the mix, and it was about 8 months before Keith's piano would step on his complex rythm work!
5
The Other One
March 24, 1971
Winterland Arena

This is another example of the fantastic, energetic, psyhadelic magic that the boys got, post Mickey and pre Keith!

Comments

The Other One
Feb. 3, 1968
Crystal Ballroom

In the documentary about Bob Weir, "The Other One", Bobby talks about the night that Neal Cassady was dying in a desert in Mexico. He said that Neal came to him in a vison and helped him finish the lyrics to this song. This was the night of this concert, Neal died the next day. All of the lyrics that we know today, other then the "smoking Crater in my mind", which he kind of slurs, are completed on this night. By the next show, 11 days later, the lyrics to this song where complete. This song was the show opener on both of these nights, which was kind of a rarity. Of the 2 concerts though, this one is much more energetic and well played. Although this isn't the best version of this song, It is a truly significant O1 and should be listened to and appreciated by any one who appreciates this iconic song.
Turn On Your Love Light
March 28, 1969
Student Center

A long and energetc Love Light. This was a great room acoustically and a good mix. The drummers sound particularly good on this one And course Jerrys playing is tasty and deverse, as he is for the whole show. This one is up there!
Dark Star
March 28, 1969
Student Center

^ That's a good point DS67! Jerry is shifting back and forth between tones and textures. He opens with some perfectly executed feed back riffs then dives way up the neck for some low, primal tones. Then during his extended solo he even gets some Asian instrument sounds, as well as his standard SG psychedelia. As for the percussion, one of the drummers, probably Micky. uses a Guiro, then switches to Maracas after the 1st verse. This is really good 69 stuff here!
Tomorrow Is Forever
Oct. 19, 1974
Winterland Arena

Jerry and Donna's voices combine to produce a kind of Appalachian sound. Donna was quite a good vocalist at times, especially after the hiatus.
Dupree's Diamond Blues
Feb. 27, 1969
Fillmore West

Good acoustic version, if you don't count T.Cs circus organ, nice touch though. The drums where a little over powering. It still gets my vote!