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find the best versions of grateful dead songs

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DaGoodolRichard

TimelessTravel

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Submissions

1
Ramble On Rose
Oct. 24, 1971
Easttown Theatre

This is a clear and well delivered version of this song. Jerry's vocals are strong and Keith is adding some very nice honky-tonk piano!
4
Good Morning Little Schoolgirl
Feb. 4, 1969
The Music Box

Very solid bluesy show opener for what whould soon be a psychadelic explosion. Jerry's Gibson tone permiates your bones.
1
The Eleven
April 15, 1969
The Music Box

This is pure 69 psychadelic energy, at it's very best!
1
Truckin'
March 24, 1971
Winterland Arena

Crisp, clean and energetic. Bobby's guitar is up in the mix, and it was about 8 months before Keith's piano would step on his complex rythm work!
5
The Other One
March 24, 1971
Winterland Arena

This is another example of the fantastic, energetic, psyhadelic magic that the boys got, post Mickey and pre Keith!

Comments

Wharf Rat
Aug. 2, 1976
Colt Park

I I agree Crow, 76 was a transition year. They where getting tighter and more imaginative as well as refining their vocal parts; this Warf Rat is a great example Keith was adding more textures to the songs and Jerry was playing with precision and emotion. If there was a board recording of this WR, I think it would be kind of legendary.
Candyman
Aug. 2, 1976
Colt Park

This was an extra groovy version from an extra groovy show, Ernie. The SirMick version is low in crowd noise, but just enough to feel the energy of that show.
The Other One
Feb. 7, 1969
Stanley Theater

Early 69, the boys where still committed to psychedelic excellence and they where playing with youthful energy. This Cryptical - Other One sandwich is one of the best examples of that.
Scarlet Begonias
July 18, 1976
Orpheum Theater

This is so tight and well recorded that it sounds almost like a studio recording. At about 5 minutes in they simultaneously drop the volume. Then at about 7 minutes they are back to full volume and Jerry takes us on a tasty lead guitar adventure. 1976 had some gems, for sure. this is one of them.
Caution
Feb. 7, 1969
Stanley Theater

Phil really drives this thing along with his walking bass lines. This isn't a vocal masterpiece but it's high energy and exiting, as is this whole show.