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DaGoodolRichard

TimelessTravel

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Submissions

3
Hurts Me Too
Dec. 5, 1971
Felt Forum - Madison Square Garden

Pig comes alive during this song as well as this entire show, and Jerry respond's to his energy level, as does the whole band. I love this show!
1
Casey Jones
Dec. 5, 1971
Felt Forum - Madison Square Garden

It's nearing the end of 71, Keith is on on board now; their tight and energetic, 72 here they come!
2
Big Boss Man
Dec. 5, 1971
Felt Forum - Madison Square Garden

Pigs vocals and harmonica are at a high and energetic level on this version. Jerry's guitar playing is a must listen, really!
1
Beat it on Down The Line
Dec. 5, 1971
Felt Forum - Madison Square Garden

This is a high energy and very well played version of this song. Bobby is in very good form here.
2
St. Stephen
April 12, 1969
Student Union Ballroom, U. Utah

Good St. Stephen, sanwiched between D.S and The Eleven. Classic Pyhicedelia in the heart of Utah!

Comments

Wharf Rat
Aug. 2, 1976
Colt Park

I I agree Crow, 76 was a transition year. They where getting tighter and more imaginative as well as refining their vocal parts; this Warf Rat is a great example Keith was adding more textures to the songs and Jerry was playing with precision and emotion. If there was a board recording of this WR, I think it would be kind of legendary.
Candyman
Aug. 2, 1976
Colt Park

This was an extra groovy version from an extra groovy show, Ernie. The SirMick version is low in crowd noise, but just enough to feel the energy of that show.
The Other One
Feb. 7, 1969
Stanley Theater

Early 69, the boys where still committed to psychedelic excellence and they where playing with youthful energy. This Cryptical - Other One sandwich is one of the best examples of that.
Scarlet Begonias
July 18, 1976
Orpheum Theater

This is so tight and well recorded that it sounds almost like a studio recording. At about 5 minutes in they simultaneously drop the volume. Then at about 7 minutes they are back to full volume and Jerry takes us on a tasty lead guitar adventure. 1976 had some gems, for sure. this is one of them.
Caution
Feb. 7, 1969
Stanley Theater

Phil really drives this thing along with his walking bass lines. This isn't a vocal masterpiece but it's high energy and exiting, as is this whole show.