Heavens! It took a Dave's Picks to get this on the board! Soft, seductive, dark, and pretty much perfectly realized. Guitar break: shit yeah.

Bold, sharp, confident version with plenty of 1977 squoosh. This version has that great '77 restraint with Garcia speaking in MuTron tongues.

Attention. To. Detail. - ESP Weir. Not the world's greatest recording, but the band is bubbly & effortless.

Listened to this on a big PA outside over the summer and it's so alive, athletic, and filled with beautiful instrumental cross-talk. Improv!

Another example of how Sugaree thrived in 6/76: Garcia's sweet, mellow, bubbly silver thread guitar and group dynamics both jaunty & subtle. Primo.

Where did this one come from? Shite! Tons of energy and a little '77 precision work. Need to listen to more of this show! Garcia's got the envelope filter set for Extra-Sticky. Wonderful guitar playing.

Super lively take - Garcia comes out guns a-blazin'. Doesn't really let up either - Mydland's stuff is very subtle. Cool.

This could be The One. But even if it's not, it's got all of your Uncle John's Band bases covered. And then some.

Really nothing not to like here. This show is close to perfect. For Brown-Eyed Women, they take it a smidge slower and really tease out all of the song's narrative depth. And it sounds fucking great.

Very strong! Some inspired, cool shit in this one. But blows 5-25-77 out of the water? I don't get that. This one, zesty as it is, is a bit of shaggy dog vs. 5-25-77's sick groove. My main issue is the Mydland tinkling - which doesn't always not work. Problem is mainly that sometimes it just strikes me rinky-dink. Also, though: the big solo peak post-bridge portion in the middle is just too long and they can barely find their way out of it back into the next verse. Just gets cluttered. Less is more and everything just sounds and feels better with Godchaux and Garcia rockin' the Bean. The outro is sweet, but nothing like the dark Garcia soliloquies of 1977 - the sound of out-of-body. Sonically, they're already making lots of sonic compromises by late 1979. I do like this version, though, I swear.