headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3668


Submissions

2
Bertha
March 14, 1971
Camp Randall Field House

At :30 Pig switches from tambourine to organ and we're off! These early '71 performances showcase Kreutzmann reveling in sweet space. Driving.
6
Loser
Feb. 19, 1971
Capitol Theater

A delicate, tight, searching super early version of a staple. Kruetzmann plays it light and springy and that 1971 Lesh caramel bass guitar!
3
Tennessee Jed
June 11, 1976
Boston Music Hall

If you know this smooth customer of a show, you know how drynamic [yes, I typed that] and user friendly this TJ is. An always welcome visitor.
2
Sugaree
June 26, 1976
Auditorium Theatre

Few things better than a June '76 Sugaree. Garcia with the first Travis Bean just sketches with the lightest, barest of precious metal filaments.
3
Tennessee Jed
July 22, 1972
Paramount Northwest Theatre

Summer '72 Jed: Sweet dynamics & precision engineering. Weir & Kreutzmann stir it up during Garcia's guitar break.
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Comments

St. Stephen
Feb. 2, 1970
Fox Theatre

Totally mastery. One of my all time favorites - into an mesmerizing jam into Mason's Children. Top o' the sleeve to you.
The Other One
April 5, 1969
Avalon Ballroom

I just think this one is unfairly overlooked. A little. Spirals out of control but never really loses control. Ferocious and merciless: Garcia's outta bounz.
Scarlet Begonias -> Fire On The Mountain
July 7, 1989
JFK Stadium

"the heart of gold ban-DUH" Nice! I was at this show and I don't recall this version being as good as it is. Probably b/c my car was sitting on the shoulder of the Schuylkill River overpass with a flat tire. Yeah - we left it there and walked down to the show.
Scarlet Begonias -> Fire On The Mountain
July 1, 1985
Merriweather Post Pavilion

How this is surpassed by versions from the 90s still baffles me.
Wharf Rat
April 12, 1971
Civic Arena

In the first half, they're definitely feeling their way through. Not 100% sure where all the changes are. Not a turn-off though. From the bridge on, they build powerful momentum until they kick into high gear in the outro jam. I don't know if Garcia's playing the peanut guitar or what, but it sounds fab. And yeah - evil use of the wah.
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