headyversion

find the best versions of grateful dead songs

please login or register.

Mercury

colorful wookie

+6852


Submissions

2
Sugar Magnolia
July 16, 1972
Dillon Stadium

Especially the way the peak jam returns at the end of the Sunshine Daydream
1
The Other One
Oct. 9, 1972
Winterland Arena

Hinted after Truckin’, we first get a Phil throwdown solo before the launch into the compact and innovative O1 journey
2
China Cat Sunflower -> I Know You Rider
April 20, 1983
Providence Civic Center

Hey, check this one out!
1
Passenger
May 11, 1979
Billerica Forum

Yeah, this one's good too, with Jer hittin' the mogul-run leads cleanly
2
Bertha
May 13, 1973
Iowa State Fairgrounds

Slower tempo gives room to move; Phil especially active

Comments

Bird Song
Oct. 18, 1972
Fox Theater

The whole show is Bobby-mix oriented, and yes, it really showcases his phenomenal contributions. The China-Rider and that whole second-set suite give the listener a deeper appreciation of his genius.
China Cat Sunflower -> I Know You Rider
March 9, 1981
Madison Square Garden

I was hitchhiking to see a girl I met at a GD show. A guy picked me up and I tossed this China>Rider into his cassette player. As he dropped me at my destination, I offered to send him some tapes. He said, please send the one you just played. My pleasure. (Who knows maybe he’ll read this.) Anyway, the creativeness of Jerry Garcia is in full-on here as he invents on the fly/ in the moment throughout the Chinacat and transition. And the mix-up, accidental or otherwise, in the “sun’s gonna shine” verse just provides another opportunity to take this to new places. Likewise, after the “headlight” lyrics. As a suite, this one is top-shelf. Oh yeah, the girl and I have been married for 20 years. Thanks for the ride, man.
Tennessee Jed
Feb. 26, 1973
Pershing Municipal Auditorium

Yup
Big Railroad Blues
Feb. 26, 1973
Pershing Municipal Auditorium

she's a rollin' down the line... SCHRED
Scarlet Begonias -> Fire On The Mountain
May 11, 1980
Cumberland County Civic Center

Interesting outro riff by Brent in the intro. And Bobby mixes this one up with great effect, e.g. the deliberate two-chord hits in the transition. He propels the Fire in similar fashion. The Scarlet is also one of a good handful without the “ain’t nothin’ wrong” verse which, in some interpretations, signals the eagerness to just play.