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Mercury

colorful wookie

+6852


Submissions

1
Jack Straw
April 19, 1983
Alfond Arena, U of Maine

An energetic outing, even the first break runs free
3
New Minglewood Blues
April 9, 1983
Hampton Coliseum

Schreddy Version
1
Not Fade Away
Dec. 2, 1971
Boston Music Hall

Part of a fat sandwich but the NFA is a healthy portion in its own right.
3
Bertha
April 6, 1978
Curtis Hixon Convention Center

Great take, and the new source carries the aud well
1
Let It Grow
April 8, 1982
Onondaga Auditorium

What shall we say?

Comments

Bertha
April 27, 1971
Fillmore East

I would’ve too… had I grown up
Beat it on Down The Line
Jan. 13, 1978
Arlington Theater

Vora City!
Drums
June 9, 1977
Winterland Arena

Packet of '77 concentrate
Candyman
March 31, 1987
The Spectrum

Always love the flurries of notes to echo the lyrics in the last chorus, and this one delivers that, too.
Promised Land
Sept. 18, 1990
Madison Square Garden

In a way the song didn’t end, as the Garden was rocking (literally) and the thumping conclusion kept playing in my head while the vibrations pulsed through my body for ten minutes into the break. Sort of like being wobbly yet thrilled after a carnival ride… well yes, it was that too! Happily, I still haven’t recovered from this Promised Land – or the show, which was my favorite of the run (I was fortunate and thankful for mail order success for all six). I fire up this vid fairly regularly to help relive the memories. There’s an excellent article in the New York Times (Hunting for the ‘Promised Land,’ Haunted by Chuck Berry 9/11/17), and the author puts forth some erudite interpretations which are likely to increase your appreciation of the song. Included is a Chuck video of the song, complete with duck-walk strummin’, matching the author’s opening point that the song is “all about motion.” To me, when the Grateful Dead played this song, there was always both a certain reverence connected to the roots of rock and roll and the celebratory rapture of the live moment – that no one could sustain longer than the Dead. Having just enjoyed the Chuck Berry version, it’s time to check in with 9/18/90 to further refresh that eternal motion. Amen.