headyversion

find the best versions of grateful dead songs

please login or register.

Mercury

colorful wookie

+6852


Submissions

8
Bird Song
Sept. 16, 1972
Boston Music Hall

No sbd... yeah, well this aud works just fine
6
Me and My Uncle
Sept. 9, 1972
Hollywood Palladium

Jaw cracker
5
Promised Land
Sept. 9, 1972
Hollywood Palladium

You came to the right place
4
Stella Blue
Aug. 20, 1972
San Jose Civic Auditorium

Oh yeah, this song is finding its way, being well-placed after the O1 and featuring affirming vocals
2
Throwing Stones
Aug. 27, 1983
Seattle Center Coliseum

A great revisit to when it was more exploratory and less predictable

Comments

Bird Song
Oct. 18, 1972
Fox Theater

The whole show is Bobby-mix oriented, and yes, it really showcases his phenomenal contributions. The China-Rider and that whole second-set suite give the listener a deeper appreciation of his genius.
China Cat Sunflower -> I Know You Rider
March 9, 1981
Madison Square Garden

I was hitchhiking to see a girl I met at a GD show. A guy picked me up and I tossed this China>Rider into his cassette player. As he dropped me at my destination, I offered to send him some tapes. He said, please send the one you just played. My pleasure. (Who knows maybe he’ll read this.) Anyway, the creativeness of Jerry Garcia is in full-on here as he invents on the fly/ in the moment throughout the Chinacat and transition. And the mix-up, accidental or otherwise, in the “sun’s gonna shine” verse just provides another opportunity to take this to new places. Likewise, after the “headlight” lyrics. As a suite, this one is top-shelf. Oh yeah, the girl and I have been married for 20 years. Thanks for the ride, man.
Tennessee Jed
Feb. 26, 1973
Pershing Municipal Auditorium

Yup
Big Railroad Blues
Feb. 26, 1973
Pershing Municipal Auditorium

she's a rollin' down the line... SCHRED
Scarlet Begonias -> Fire On The Mountain
May 11, 1980
Cumberland County Civic Center

Interesting outro riff by Brent in the intro. And Bobby mixes this one up with great effect, e.g. the deliberate two-chord hits in the transition. He propels the Fire in similar fashion. The Scarlet is also one of a good handful without the “ain’t nothin’ wrong” verse which, in some interpretations, signals the eagerness to just play.