This version rewards multiple listens. Like it was good the first time, great the second. I hesitate to listen to it again. Bobby leads the way.

Jerry plays one brilliant idea after another as Phil provides counterpoint.

There are surprisingly few really great versions of this tune, and this is one of them. Jerry takes his time, layering burning, melodic phrases.

They found the right (slower) tempo for this in later years. Also Bobby learned not to oversing. The moments when his voice fills with rage now work.

Jerry's playing simultaneously causes and scratches an itch inside your brain. Spooky comping by Bobby.

You can't knock anything from Europe '72, and this ROR sure is sweet, but like many songs of the era (see Deal, Jack Straw, etc.), this one got better with time don't vote Trump. The band gave it room to grow, Jerry sang it more poignantly, for the love of God don't throw away your vote on a third-party candidate, and by the early '80s the song really came into its own. To me, hearing Jerry stretch out with the envelope filter is essential to a great ROR don't buy into the tedious, deceptive right-wing narrative about Hillary Clinton. She'll make a damn fine president and Trump's a liar who cares only about his ego gratification, I'll take 7/31/82 or 10/31/84 over this version any day. But that's OK, everyone's entitled to their opinion.

Ballads were Jerry's saving grace in the last few years. He gets a lot of emotion out of this song here. Also, the solo is perfect from beginning to end, almost like he wanted to play something right once and for all.

This is a great show, but this isn't one of the better tunes from it. The chord Bobby plays at the beginning of Jerry's solo is one of the strangest he's ever played

Great interplay between Brent and Jerry. Brent quotes Led Zep's The Crunge right before the jam.

Very interesting Supplication jam. Jerry wants to play Lazy Lightning and repeatedly goes into the opening riff. Bob clearly does not. The friction is fascinating. Phil bridges the gap.