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Submissions

1
Sugaree
April 30, 1977
The Palladium

Really stunning Moog work from Keith, one of the most interesting, and creative Sugaree’s I’ve ever heard. Relentless creative energy. 77 goodness!
1
Drums -> Space
May 13, 1978
The Spectrum

A walk through the woods until you come across a UFO which abducts you and takes you on a 4th dimensional journey. Breaking through the cosmic veil.
1
Let It Grow
Oct. 30, 1973
Kiel Auditorium

A romantic version full of power and passion, ideas bloom and blossom forth a beautiful force of energy. Keith and Jerry are intense and magnificent.
1
Nobody's Fault But Mine
March 22, 1973
Utica Memorial Auditorium

Jerry doing his best Robert Nighthawk and Muddy impression on slide. It don’t mean a thing if it ain’t got that swing, this has that swing.
1
Big River
March 22, 1973
Utica Memorial Auditorium

Makes you wanna dance all night long, Billy is a rip tide sweeping the band of their feet sending them down that river at breakneck speeds.

Comments

Dark Star
April 14, 1972
Tivolis Koncertsal

My previous comment does not do this Dark Star justice. This fantasy suite takes us on a trip to Elysium, where the band explores this landscape of sky high mountains and valleys with grand waterfalls, this jazzy exploration leads into some of the more beautiful spaces the band have come across up until this point. Keith plays some notes that really show his wonderful avant garde surrealist nature, turning this earthy Dark Star into one of Salvador Dali’s paintings. I really love that when Jerry tries to signal back to the main theme Bobby, Keith, and Phil keep exploring these new mysterious spaces that take a peak behind the veil where we are greeted in the land of mythology and wonder. The delicate space showcases everyone’s limitless imagination, showing that they can take this Dark Star and create their own universe within each soundscape. I also love that Billy sits out for about 3-4 minutes as he lets the string instruments explore their space. This is what makes a great drummer, the silence from the percussion as the strings continue to create magic showcases Billy’s mastery of when and when not to play. After the verse, the band gets into this almost tribal sounding jam, that calls back to melodies and rhythms that feel encoded in our DNA. At this point, Phil absolutely just pops the fuck off. Going in so many different directions at once, and eventually locking in with Jerry as he leads the band into the next jam, which leads into one of the most powerful Feelin’ Groovy of the tour. How seamlessly the entire band falls under this stream of conscious and flows into the well of infinite possibility, and Phil realizes he can truly do whatever he wants, no constraints, and dictates the jam going in and out of the theme before going into deep space. My only wish for this Dark Star was that the feedback swirling trapeze space section before Sugar Magnolia was longer(sorry Grendel) but I love myself some brain dissolving noises. While it would’ve been great, I also love that it was almost like Bobby and the band were saving Jerry from going too far into that dark nihilistic space, and the move into Sugar Magnolia really cleans the mind after a spiritual exercise like that Dark Star. Intensely beautiful, with wonderful moments of innovative jazzy jam segments.
Looks Like Rain
April 14, 1972
Tivolis Koncertsal

Really stunning organ work by Pigpen. Perfectly blends in with mellow sunset vibes this version has. Melodramatic with a touch of fae magic that makes this whole version so magical. A beautiful palette cleanser before an incredibly spiritual and beautiful Dark Star. Like entering an enchanted garden, and coming across a forest that filled with mythology and explorations.
Hurts Me Too
April 14, 1972
Tivolis Koncertsal

Saturn’s blues. A perfect performance of Pigpen undeniable feeling and love for the blues, and the cosmic energy that the band produces as they play, conveying their own blues through a new lens. I always love their cover of this tune, really great arrangement that shines brightly this cold night in Copenhagen.
Loser
April 14, 1972
Tivolis Koncertsal

71-72 had such a great sound for loser. I always found myself getting immersed into the jaunty and jangly sound of this old western ballad. I felt that at this point they really perfected the Americana sound and sounded like a modern day saloon western electric jugband. To me this is the peak of that sound, and to bring it so seamlessly to Denmark? I bet the Danes felt like they were going through the Grand Canyon this entire first set, with a big ol’ ten gallon hat.
Dark Star
April 13, 1969
Ballroom

A Taoist Dark Star. Not the typical raging acidic beast that emerges from their explorations, but a meditative performance that has the band emptying their mind and letting their ideas pour out like a waterfall. Wonderfully dynamic, with a stunning performance from all the string instrument players, Jerry being relentless, Bobby creative some beautiful rhythmic motifs, and Phil laying it down for the whole band to create a space for Jerry and the rest to explore. Understated, and beautiful. Like flowing water.