Absolutely sublime Jerry solo. Full of energy that’ll pump you up for the rest of your day. Keith’s also on saloon duty.

THIS JAM BEFORE TRUCKIN IS ABSOLUTE HEAT!!! An intergalactic swamp stomp that I could dance forever to. Really REALLY good stuff here.

A trip into a landscape of geometric patterns and brain scrambling psychedelia that feels different from others of this era. Fascinating stuff here.

Fun keyboard playing from Brent, reaches to the outer limits of our solar system, as Jerry takes everyone on a journey of many colors during the end.

Pure Jerry: Bay Area 1978 version. From one of the best JGB shows of all time, Jerry plays one of my all time favorite solos of his. Top Shelf version

Jerry's tone is near perfection, cuts through the soul with Jerry putting on a relentless clinic of soulful blues licks which a lysergic country twang. The band calmly build and being the perfect backing band for Jerry as he ventures out west. Stunning version.

This is my personal favorite version. Jerry’s solo evoke the feeling of watching an old classic Wild West movie that was filmed in the 1920’s. Some incredibly beautiful American music that channels the pure feeling of being out west and experiencing utter beauty that is the American landscape and geography. Enough propaganda, the thing that interests me most about this version is how interwoven Jerry and Keith are. Especially at the end of the last “Across the Rio Grande”, Jerry and Keith find themselves in the same saloon and have an adventure that’s talked about to this day. Keith and Jerry’s subtle and incredible partnership serves as Jerry’s true springboard and what excited him the most about going out every night and creating memories and lifetimes worth of powerful experiences shared in brotherhood and sisterhood. Vocals 10, Musicianship 10, Soloing 10, Ending jam 10, Vibe 10/10 God bless the Grateful Dead!

THIS is what we call psychedelic blues music. This isn’t nice, this isn’t pretty, this is downright mean, rude and gut punching, and I LOVE IT. Hypersonic blues exploration that takes off at breakneck speed. My favorite interstellar jug band.

This could just be that I'm under the influence, but this moves MUCH faster than any normal Dark Star. The way this Dark Star just moves from one passage to another, flowing seamlessly from meditative monk levels of serenity, to absolute chaos magik never ceases to amaze me. This melts into a witchy wizardy concoction of alchemical weirdness that makes the Dead so great. I used to not be the biggest fan of this version but more and more every time I listen to this iconic version it leaves a new impression on me more and more. I truly love this Dark Star, as much as I love 5/4/72. As much as I love 9/24/72, and the transition into El Paso is as uncanny and comforting as it gets. Weird. Just how I like it.

This is a surprising journey. The transition in AND out of China Doll is stupendously smooth, and specifically those 2 moments of entering in and exiting out of China Doll has some really enticing moments of melodic adventure and spacey cosmic weirdness. Jerry gets intergalactic as he runs up and down the fretboard as if he's making constellations and making it all connect so seamlessly. Great 80s version!