headyversion

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OrangeTangoJam

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Submissions

1
Drums
Dec. 10, 1972
Winterland Arena

Supercharged Billy at the helm deconstructing and building layers of structure like a master architect. Some of his most inventive fills put to record
1
Me and My Uncle
July 16, 1972
Dillon Stadium

Notable for coming straight out of Cumberland and the alternate lyrics “And I Grabbed the Bottle, Grabbed Him in the Jaw” A cowboy classic.
1
Promised Land
Aug. 5, 1974
Philadelphia Civic Arena

Firing on all cylinders right out the gate. I'm certain Jerry's fretboard caught fire after that first solo. Impossible not to groove to.
1
El Paso
Dec. 4, 1971
Felt Forum, Madison Square Garden

Delicate. Like a last waltz of the cowboy and his love, with each lick from Jerry conveying the urgency of the story. Keith makes such an impact here.
1
Cumberland Blues
Dec. 4, 1971
Felt Forum, Madison Square Garden

Part of the beginning is cut off, but that doesn't stop this train from rolling on down the mines. Short and sweet.
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Comments

Dark Star
Sept. 2, 1968
Betty Nelson's Organic Raspberry Farm

Right up there with 10/12/68 for me. This is a living thing, a mycelium based organism. As the listener, you go through the process of decay. Being returned to the ground as a gift to the endless cycle of life. Spores release into the land and mushrooms sprout to continue the cycle of life and death and helping the ones that were once living, pass on their life force into nature to start anew. This is the start of a particularly intense psychedelic experience.
The Eleven
Sept. 2, 1968
Betty Nelson's Organic Raspberry Farm

This is an instense, very serious ride. Tread lightly, heavy lysergic pantheonic jamming. Seriously though, I’m freaking out, this is next level good.
Samson and Delilah
May 28, 1977
Hartford Civic Center

Jerry is in full combat with the lion. GREAT GOD ALMIGHTY TALK TO ME!!!
Playin' In The Band
Aug. 12, 1972
Sacramento Memorial Auditorium

It’s Keith time baby. I wish Keith was always this high in the mix because, wow. This is the soundtrack to the Apocalypse. Around the 9:40 mark Keith is literally proving right then and there that telepathy is real. His intuitive nature pushes the band into very malevolent chaotic realms and shoots you right into the heart of a dying star. This is really the first Playin’ out of Europe that seems like it’s finally developing a new sound. Chaos Magik in sound.
Mason's Children
Jan. 2, 1970
Fillmore East (Late Show)

Encapsulates the free spirited nature of the band during this time. Jerry is feeling particularly loose possibly because of Lucy, and the solo in particular feels lysergic too. Awesome version from a very awesome show.
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