headyversion

find the best versions of grateful dead songs

please login or register.

dictsang

boxdapocalypse

+129


Submissions

1
Terrapin Station
June 28, 1995
The Palace

Not particularly heady, but a notably not-too-bad later version with nice Vince vox
1
Cassidy
Sept. 29, 1980
Warfield Theater

Perfect acoustic version
1
The Other One
March 18, 1994
Rosemont Horizon

Weird, jazzy 90s version. Remarkably good!
1
Mexicali Blues
June 16, 1974
Iowa State Fairgrounds

Often a throwaway, this super bouncy version from a top 10 show sparkles.

Comments

Doin' That Rag
April 23, 1969
The Ark

A fine, bluesy slab of Primal Dead. It makes sense why this was dropped--it has the labyrinthine structure that they seemed to tire of apart from a few big jam vehicles. I really like how it builds to a close here, though--very much of its time, nice "period flavor" as RYM's TymeShifter might put it.
Scarlet Begonias -> Fire On The Mountain
July 3, 1984
Starlight Theatre

The rave-up at the end on "Fire" is also a nice little touch of double-time.
Scarlet Begonias -> Fire On The Mountain
July 3, 1984
Starlight Theatre

Buttery smooth transition into "Touch" and a nice, long exploratory "Scarlet". Some rough patches vocally, but this is the year I know the least about the Dead aside from 1986, without a ton of defenders, and I think that this one is really great (so is the other one--wish they would have experimented a bit more with these offbeat >s). Discovered on Days of Dead 2014.
Shakedown Street
Dec. 26, 1979
Oakland Auditorium

And while the comment above me might be a little intemperate, I agree: it is awful how low in the mix Jerry's guitar is. I'm not an audiophile, and I get that Jerry was not "the frontman". However, the person taking solos should in almost no case be *by far quietest in the mix*. Part of this might be his tone, which got a little flabby and clean in the late 70s, but on many shows in 78, he's cranked it up. I think this is just a board or DP thing because he's also shamefully quiet on other early DPs from the era. There's some room for debate here, but I think this is objectively too low and really makes this feel more sluggish than it probably was.
Shakedown Street
Dec. 26, 1979
Oakland Auditorium

I love the whole suite here, but this version is more than a little distracted. It's kind of bizarre to me that the Dead discofied their sound quite successfully, they wrote one of the greatest disco songs of all time (this one!), and were the world's greatest jam band, and yet this song just feels...distracted...in most live versions.