headyversion

find the best versions of grateful dead songs

please login or register.

glynparson

Love will N.F.A

+116899


Submissions

1
Drums -> Space
April 1, 1991
Greensboro Coliseum

The meat of a dark star sandwich, Mickey beats the hell out of the beam this is a nice psychedelic heady journey.
3
Just Like Tom Thumb's Blues
April 1, 1991
Greensboro Coliseum

Wow shocked this killer version was not yet listed.
9
Smokestack Lightnin'
July 23, 1990
World Music Theatre

Excellent!!!!!
12
Victim Or The Crime
Aug. 1, 1994
The Palace

A spooky crazy Victim on Jerry's Birthday
3
Don't Need Love
April 21, 1984
Philadelphia Civic Center

Brent being his passionate self

Comments

Scarlet Begonias -> Fire On The Mountain
Dec. 31, 1984
SF Civic

Scarlet Fire usually has a rather similar feel to it. This one definitely has a darker heavier tone to it. I believe the Op has probably hit on the reason for this heaviness. I recommend this version, in fact im gonna give it a spin now its been a little time since i have listened to it.
Scarlet Begonias -> Fire On The Mountain
June 12, 1980
Memorial Coliseum

love tis
Throwing Stones
Nov. 1, 1990
Wembley Arena

transitions nicely into NFA. Phil is really driving the end of this evening. Loads of Bass. Passionate Bobby vocals and shredding Garcia guitar, this deserves to be way higher up the list, a truly great version, please give it a listen.
Uncle John's Band
May 15, 1977
St. Louis Arena

The definitive Uncle Johns Band. Absolutely near perfection from all involved. Tight and brilliant like we have come to expect from May of 1977.
Wharf Rat
Nov. 1, 1990
Wembley Arena

Sounds like they are going into standing on the moon then just before the verse they switch into Wharf rat works cool as opposed to sounding like a disaster which it could have, really fun and interesting. Lots of those reverberating Wharf rat notes. Jerry's voice is a little rough but it adds a nice dimension to our tale of August West. This stuff is like a dream, miss you everyday Jerry. Lovely take with loads of Phil tight vocals, a little weathered sonding which works for Wharf Rat. A nice version early in the two keyboardist version of the band