headyversion

find the best versions of grateful dead songs

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glynparson

Love will N.F.A

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Submissions

4
Estimated Prophet
July 25, 1982
Compton Terrace Amphitheatre

Long and Hot Estimated Prophet
5
Crazy Fingers
July 25, 1982
Compton Terrace Amphitheatre

Beauriful version, love a good Brent Crazy fingers.
6
Candyman
July 25, 1982
Compton Terrace Amphitheatre

Vocals start out a little creaky but loosen up as the song builds as a cool dimension to the outstanding playing on this one. Beginning of a greattour
3
The Other One
Aug. 8, 1982
Alpine Valley Music Theatre

short but still intense great drum work, stellar jamming by EVERYONE
3
Mexicali Blues
Aug. 8, 1982
Alpine Valley Music Theatre

NHot and passionate bubbling Jerry nice Brent back u vocals and Bobby growling and spitting his way through this beauty.
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Comments

Days Between
Sept. 18, 1994
Shoreline Amphitheatre

Sloppy but beautiful, gives chills but also disappoints with a little to much sloppiness. does have some shear pure moments of golden joy though. Have to love the sequence though So Many Roads, Samson->Drums->Space->Days Between.
Dark Star
Sept. 1, 1969
Baton Rouge International Speedway

This whole recording is just such a joy an amazing recording from the first New Orleans Pop Festival the boys are on fire and the recording is among the best quality 1969 recordings i have ever heard.
St. Stephen
Sept. 1, 1969
Baton Rouge International Speedway

Fantastic they really nail the "High Green Chilly Winds" segment AKA William Tell Bridge, one of the best I have ever heard as it ends and the Eleven just takes off like a psychedelic rocket blasting the listener off to parts unknown.
Dark Star
Sept. 26, 1969
Fillmore East

Audience is rather fuzzy but it is worth the trouble to listen to this masterpiece. This is an exciting journey into deep psychedelic space, truly a wonderful versions, hopefully a snbd emerges like some of the other 1969 tapes that recently popped up.
Hey Jude Finale
Dec. 31, 1989
Oakland-Alameda County Coliseum

Brent and bobby both have a freakout vocal jam while jerry jams the shit out of it using the midi to create different tones and intstrument sounds really a classic phil even gets into the vocal jam a little. Classic moves nicely into a spirited GDTRFB
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