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find the best versions of grateful dead songs

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glynparson

Love will N.F.A

+116899


Submissions

4
Broken Arrow
Sept. 21, 1993
Madison Square Garden

Another fun energetic well done Phil reading of the Robie Robertson original Broken Arrow
5
Sugar Magnolia
Sept. 29, 1989
Shoreline Amphitheatre

Awesome with Bobby and Brent going back and forth vocally during the SSDD segment while the rest of the band tears the place down.
1
Hell in a Bucket
April 7, 1987
Brendan Bryne Arena

Wicked smoking Bucket in a year full of them.
3
Blow Away
Sept. 29, 1989
Shoreline Amphitheatre

Brent, blowin shit up like only he can. Love a great Blow Away like this.
3
Aiko Aiko
Oct. 2, 1994
Boston Garden

Another well played late era Aiko. Not sure why but Jerry really dug into Aiko over the last 2-3 years, some very hot later era Aiko's.

Comments

Days Between
Sept. 18, 1994
Shoreline Amphitheatre

Sloppy but beautiful, gives chills but also disappoints with a little to much sloppiness. does have some shear pure moments of golden joy though. Have to love the sequence though So Many Roads, Samson->Drums->Space->Days Between.
Dark Star
Sept. 1, 1969
Baton Rouge International Speedway

This whole recording is just such a joy an amazing recording from the first New Orleans Pop Festival the boys are on fire and the recording is among the best quality 1969 recordings i have ever heard.
St. Stephen
Sept. 1, 1969
Baton Rouge International Speedway

Fantastic they really nail the "High Green Chilly Winds" segment AKA William Tell Bridge, one of the best I have ever heard as it ends and the Eleven just takes off like a psychedelic rocket blasting the listener off to parts unknown.
Dark Star
Sept. 26, 1969
Fillmore East

Audience is rather fuzzy but it is worth the trouble to listen to this masterpiece. This is an exciting journey into deep psychedelic space, truly a wonderful versions, hopefully a snbd emerges like some of the other 1969 tapes that recently popped up.
Hey Jude Finale
Dec. 31, 1989
Oakland-Alameda County Coliseum

Brent and bobby both have a freakout vocal jam while jerry jams the shit out of it using the midi to create different tones and intstrument sounds really a classic phil even gets into the vocal jam a little. Classic moves nicely into a spirited GDTRFB