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find the best versions of grateful dead songs

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glynparson

Love will N.F.A

+116919


Submissions

2
Not Fade Away
Sept. 13, 1991
Madison Square Garden

Not your standard 90's throw away this one has tremendous passion, ripping keyboards even some grunts thrown in the mix, HOT ripper. Has the MSG spark
6
High Time
July 11, 1970
Fillmore East

EPic early beauty
5
High Time
Nov. 29, 1979
Cleveland Public Hall

great one from an awesome set 2 Brent just fit in right away AMAZing tour
15
High Time
June 28, 1976
Auditorium Theatre

one of my favorite from back in the days of tapes.
19
High Time
July 16, 1976
Orpheum Theatre

Set 2 version from the year of high time

Comments

Scarlet Begonias -> Fire On The Mountain
Dec. 31, 1984
SF Civic

Scarlet Fire usually has a rather similar feel to it. This one definitely has a darker heavier tone to it. I believe the Op has probably hit on the reason for this heaviness. I recommend this version, in fact im gonna give it a spin now its been a little time since i have listened to it.
Scarlet Begonias -> Fire On The Mountain
June 12, 1980
Memorial Coliseum

love tis
Throwing Stones
Nov. 1, 1990
Wembley Arena

transitions nicely into NFA. Phil is really driving the end of this evening. Loads of Bass. Passionate Bobby vocals and shredding Garcia guitar, this deserves to be way higher up the list, a truly great version, please give it a listen.
Uncle John's Band
May 15, 1977
St. Louis Arena

The definitive Uncle Johns Band. Absolutely near perfection from all involved. Tight and brilliant like we have come to expect from May of 1977.
Wharf Rat
Nov. 1, 1990
Wembley Arena

Sounds like they are going into standing on the moon then just before the verse they switch into Wharf rat works cool as opposed to sounding like a disaster which it could have, really fun and interesting. Lots of those reverberating Wharf rat notes. Jerry's voice is a little rough but it adds a nice dimension to our tale of August West. This stuff is like a dream, miss you everyday Jerry. Lovely take with loads of Phil tight vocals, a little weathered sonding which works for Wharf Rat. A nice version early in the two keyboardist version of the band