headyversion

find the best versions of grateful dead songs

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glynparson

Love will N.F.A

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Submissions

8
Truckin'
Nov. 23, 1973
County Coliseum

Wickedly Hot Truckin, stellar sequence Typical 1973 excellence
10
He's Gone
Nov. 23, 1973
County Coliseum

Wonderful He's Gone->Truckin->The Other One sequence. Stellar 1973 Magic
4
China Cat Sunflower -> I Know You Rider
March 30, 1983
Warfield Theatre

Delicious loads of killer Brent key work and Jerry is sublime lyrically and with the axe. Transition COOKS with GAS
3
Dire Wolf
March 30, 1983
Warfield Theatre

Upbeat with a tremendous swing to it. Brent's keyboards are a treat on this version.
4
Man Smart, Woman Smarter
March 30, 1983
Warfield Theatre

Very hot interesting version coming out of space and into China doll. Bth the entrance and exit jams are really on fire
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Comments

Days Between
Sept. 18, 1994
Shoreline Amphitheatre

Sloppy but beautiful, gives chills but also disappoints with a little to much sloppiness. does have some shear pure moments of golden joy though. Have to love the sequence though So Many Roads, Samson->Drums->Space->Days Between.
Dark Star
Sept. 1, 1969
Baton Rouge International Speedway

This whole recording is just such a joy an amazing recording from the first New Orleans Pop Festival the boys are on fire and the recording is among the best quality 1969 recordings i have ever heard.
St. Stephen
Sept. 1, 1969
Baton Rouge International Speedway

Fantastic they really nail the "High Green Chilly Winds" segment AKA William Tell Bridge, one of the best I have ever heard as it ends and the Eleven just takes off like a psychedelic rocket blasting the listener off to parts unknown.
Dark Star
Sept. 26, 1969
Fillmore East

Audience is rather fuzzy but it is worth the trouble to listen to this masterpiece. This is an exciting journey into deep psychedelic space, truly a wonderful versions, hopefully a snbd emerges like some of the other 1969 tapes that recently popped up.
Hey Jude Finale
Dec. 31, 1989
Oakland-Alameda County Coliseum

Brent and bobby both have a freakout vocal jam while jerry jams the shit out of it using the midi to create different tones and intstrument sounds really a classic phil even gets into the vocal jam a little. Classic moves nicely into a spirited GDTRFB
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