headyversion

find the best versions of grateful dead songs

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glynparson

Love will N.F.A

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Submissions

2
It Must Have Been The Roses
March 30, 1983
Warfield Theatre

Real standout, Brent is great on this version and Jerry has a delicate twinge to his voice.
3
Brokedown Palace
March 31, 1983
Warfield Theatre

Beautifully impassioned reading
3
Lost Sailor -> Saint of Circumstance
March 31, 1983
Warfield Theatre

Real nice source upgrade from good old CM, dazzling performance.
3
Aiko Aiko
May 27, 1989
Oakland-Alameda County Coliseum Stadium

Fun celebratory Aiko from a real fun crazy 1989 show. Love how in 1989 Aiko could show up pretty much anywhere at anytime. Mid set 1 here
6
Hell in a Bucket
May 27, 1989
Oakland-Alameda County Coliseum Stadium

Rager to open set two flows nicely into a hot wicked Fire on the Mountain.
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Comments

Days Between
Sept. 18, 1994
Shoreline Amphitheatre

Sloppy but beautiful, gives chills but also disappoints with a little to much sloppiness. does have some shear pure moments of golden joy though. Have to love the sequence though So Many Roads, Samson->Drums->Space->Days Between.
Dark Star
Sept. 1, 1969
Baton Rouge International Speedway

This whole recording is just such a joy an amazing recording from the first New Orleans Pop Festival the boys are on fire and the recording is among the best quality 1969 recordings i have ever heard.
St. Stephen
Sept. 1, 1969
Baton Rouge International Speedway

Fantastic they really nail the "High Green Chilly Winds" segment AKA William Tell Bridge, one of the best I have ever heard as it ends and the Eleven just takes off like a psychedelic rocket blasting the listener off to parts unknown.
Dark Star
Sept. 26, 1969
Fillmore East

Audience is rather fuzzy but it is worth the trouble to listen to this masterpiece. This is an exciting journey into deep psychedelic space, truly a wonderful versions, hopefully a snbd emerges like some of the other 1969 tapes that recently popped up.
Hey Jude Finale
Dec. 31, 1989
Oakland-Alameda County Coliseum

Brent and bobby both have a freakout vocal jam while jerry jams the shit out of it using the midi to create different tones and intstrument sounds really a classic phil even gets into the vocal jam a little. Classic moves nicely into a spirited GDTRFB
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