headyversion

find the best versions of grateful dead songs

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glynparson

Love will N.F.A

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Submissions

3
Not Fade Away
Dec. 17, 1986
Oakland-Alameda County Coliseum

Special one to welcome Jerry back from the coma. Chant Led into the encore and was briefly reprised. Special moment in Dead history.
5
West L.A. Fadeaway
Dec. 17, 1986
Oakland-Alameda County Coliseum

Nice and blusey post coma take on the in the dark beauty.
3
You Ain't Woman Enough To Take My Man
Aug. 1, 1973
Roosevelt Stadium

Jerry's 31st b-day, Love Donna doing this number.
2
When Push Comes to Shove
Jan. 28, 1987
San Francisco Civic Auditorium

Most of the show is an absolute trainwreck this is a nice performance of this tune. Jerry rips the solo.
5
100000 Tons of Steel
Dec. 28, 1984
sf civic ctr

first time played for this Brent gem.
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Comments

Days Between
Sept. 18, 1994
Shoreline Amphitheatre

Sloppy but beautiful, gives chills but also disappoints with a little to much sloppiness. does have some shear pure moments of golden joy though. Have to love the sequence though So Many Roads, Samson->Drums->Space->Days Between.
Dark Star
Sept. 1, 1969
Baton Rouge International Speedway

This whole recording is just such a joy an amazing recording from the first New Orleans Pop Festival the boys are on fire and the recording is among the best quality 1969 recordings i have ever heard.
St. Stephen
Sept. 1, 1969
Baton Rouge International Speedway

Fantastic they really nail the "High Green Chilly Winds" segment AKA William Tell Bridge, one of the best I have ever heard as it ends and the Eleven just takes off like a psychedelic rocket blasting the listener off to parts unknown.
Dark Star
Sept. 26, 1969
Fillmore East

Audience is rather fuzzy but it is worth the trouble to listen to this masterpiece. This is an exciting journey into deep psychedelic space, truly a wonderful versions, hopefully a snbd emerges like some of the other 1969 tapes that recently popped up.
Hey Jude Finale
Dec. 31, 1989
Oakland-Alameda County Coliseum

Brent and bobby both have a freakout vocal jam while jerry jams the shit out of it using the midi to create different tones and intstrument sounds really a classic phil even gets into the vocal jam a little. Classic moves nicely into a spirited GDTRFB
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