headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

+24571


Submissions

2
Drums
March 2, 1992
The Omni

Heavy calypso rhythms & monstrous punctuation via The Beast make for an epic Drums out of Terrapin. 5 star stuff.
1
Estimated Prophet
Aug. 30, 1978
Red Rocks Ampitheatre

In combo with the equally stunning "Eyes" to follow this is an unheralded, wah-wah Jerry-heavy, Bobby/Donna vocal gem.
4
Beat it on Down The Line
July 3, 1966
Fillmore Auditorium

Flying Pig.
8
Althea
Nov. 4, 1979
Civic Center

Sily smooth Althea from Providence. Rich Jerry vocals & of course, chunks o'Phil. This deserves a listen & some votes!
1
Space
June 20, 1980
West High Auditorium

Short but oh so sweet fuzzfest of Brent-centric gooyness seamlessly into a typically funkified 1980 NFA
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Comments

Truckin'
Aug. 25, 1972
Berkeley Community Theatre

Excellent vocals (never a given), well jammed outro section...fun Phil solo (not too long) & into TOO. Upvote
Days Between
Dec. 11, 1994
Oakland-Alameda County Coliseum Stadium

^^^^i I have to agree. A lot of heads I respect swear this song is the last great one I they ever wrote but I don't see it. Seems like a chore for the band to get through not to mention Jerry's really plain awful vocal croaking...his voice by this time simply couldn't handle this kind of dirge. The song itself is so devoid of rhythm or melody and is almost atonal. Just terrible stuff
China Cat Sunflower -> I Know You Rider
May 22, 1982
Greek Theatre - University of California

Absolutely needs to climb the ladder. Top tier 1982 played with speed but also precision, Garcia's playing more fluid than choppy and the whole band in step. Energy sustains throughout and crystal clear board on source provided doesn't hurt either. Plus one.
Shakedown Street
Jan. 10, 1979
Nassau Coliseum

^^^^ "You know it well!" -Phil
Eyes Of The World
Oct. 30, 1973
Kiel Auditorium

There isn't any earthly reasn this should be so low on the board, other than it occurs in a year with so many incredible versions it can get lost in the shuffle. But this one needs more ears on it, especially for the outro section, which is mellower then most but hits every transition in the jam segments like a smooth sliding gear change, then empties out into a free floating gentle space before settling into the opening notes of Weather Report. Astonishingly excelllent EYES hiding in plain sight at single digit votes.
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