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find the best versions of grateful dead songs

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grendel

Books and Music

+24571


Submissions

10
Lazy Lightnin' -> Supplication
Oct. 30, 1977
Assembly Hall - Indiana University

Can't believe what short shrift this show gets. They pull off the combo like gangbusters here.
5
Loser
Dec. 6, 1971
Felt Forum, Madison Square Garden

Glorious Jerry vocals, not one, but TWO "sweet Susie's", excellent gritty solo. Best early version ever!
4
Aiko Aiko
March 30, 1987
The Spectrum

Submitting this on Fat Tuesday 2017. Great Mardi Gras version with really nice piano (!) fills by Brent that oughta be heard!
5
Lazy Lightnin' -> Supplication
May 12, 1980
Boston Garden

Get on this one, folks. It's a ripper.
13
Let It Grow
July 29, 1974
Capitol Center

Absolute best of 1974. Not kidding. Jerry's leads are ripping & confident. The band plays flawlessly.Can stand w/some of the best of '77. Must hear.

Comments

Truckin'
Aug. 25, 1972
Berkeley Community Theatre

Excellent vocals (never a given), well jammed outro section...fun Phil solo (not too long) & into TOO. Upvote
Days Between
Dec. 11, 1994
Oakland-Alameda County Coliseum Stadium

^^^^i I have to agree. A lot of heads I respect swear this song is the last great one I they ever wrote but I don't see it. Seems like a chore for the band to get through not to mention Jerry's really plain awful vocal croaking...his voice by this time simply couldn't handle this kind of dirge. The song itself is so devoid of rhythm or melody and is almost atonal. Just terrible stuff
China Cat Sunflower -> I Know You Rider
May 22, 1982
Greek Theatre - University of California

Absolutely needs to climb the ladder. Top tier 1982 played with speed but also precision, Garcia's playing more fluid than choppy and the whole band in step. Energy sustains throughout and crystal clear board on source provided doesn't hurt either. Plus one.
Shakedown Street
Jan. 10, 1979
Nassau Coliseum

^^^^ "You know it well!" -Phil
Eyes Of The World
Oct. 30, 1973
Kiel Auditorium

There isn't any earthly reasn this should be so low on the board, other than it occurs in a year with so many incredible versions it can get lost in the shuffle. But this one needs more ears on it, especially for the outro section, which is mellower then most but hits every transition in the jam segments like a smooth sliding gear change, then empties out into a free floating gentle space before settling into the opening notes of Weather Report. Astonishingly excelllent EYES hiding in plain sight at single digit votes.