Garciia packs epic multitudes into his brief guitar solo. Check out this WAY under the radar MAMU>BigRiver pairing. One of the best ever.

Slowest but also funkiest version ever played. Garcia stumbles out of the gates on lyrics but it's no train wreck & the band rescues for a winner

Bruce is boss on this one, his keys just adding color & style throughout the tune. Overlooked show & performance

Numerous "Lively Up Yourself" teases within this short space--follows a "He's Gone" dedicated to Bob Marley

Kicking intro out of Dancin'>Drums and into a typically raucous, rippin', 1978 Samson. You'll dig it for the into alone but the whole thing is a beast

I should stop being amazed, stunned even, when I stumble upon a version of a song I thought I had covered in every era it appeared, but here I am so glad to have checked out this Dark Star based on all the great recs from above. Don't know how this had escaped my purview til now but so what, because hearing the Jerry break-out right after the first verse & hearing him carry it seamlessly into a mellower rhythm jam and some light lovely space, then back into the swirling corkscrew notes section that mark so many of the best '69 Dark Stars- for the first time -is a crazy good trip.

No way this version should be languishing. C'mon & give it a listen, it brings the goods.

Made a believer out of me. Amazing they could pull off a PITB this good in such a tough year

Run, don't walk, to hear this version in an upgraded Miller copy of the show just uploaded here: https://archive.org/details/gd1983-03-26.140315.sbd.eaton.miller.clugston.flac1648/Gd83-03-2612FireOnTheMountain.flac Long, windy 1983 with lots of grin-making moments.

I'll never share (or understand) Donnie's disdain for '77 but he does have a good ear for unheralded 90s versions of tunes (we both agree that the 9-18-90 Promised Land is by far better than any of the 70s versions that came before it) & this Estimated has some rich texture indeed, lots of interesting Jerry jamming & Bobby doing his aforementioned vocal gymnastics. But what also has to be acknowledged is how terribly weak the backing vocals are (Jerry can barely muster an audible "Californiaaaa" & the other folks are MIA) & while it may seem a small point it's actually a fairly big knock against the overall effectiveness of this version and its headiness. Any 1977 will give you better vocals all around, but in the end I did upvote this for its slower cadence and Vince's attempts to add some horn-like sounds that sound fairly annoying at first but ultimately contribute to this version's quirkiness--in a good way. Jer does some nice shredding in the outro too. Upvoted yes, but no, I wouldn't say any version from '77 has anything to worry about in competing with this one.