headyversion

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grendel

Books and Music

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Submissions

2
The Mighty Quinn (Quinn The Eskimo)
May 11, 1991
Shoreline Amphitheatre

Slowest but also funkiest version ever played. Garcia stumbles out of the gates on lyrics but it's no train wreck & the band rescues for a winner
2
Aiko Aiko
May 11, 1991
Shoreline Amphitheatre

Bruce is boss on this one, his keys just adding color & style throughout the tune. Overlooked show & performance
3
Space
May 12, 1981
Veterans' Memorial Coliseum

Numerous "Lively Up Yourself" teases within this short space--follows a "He's Gone" dedicated to Bob Marley
4
Samson and Delilah
April 18, 1978
Civic Arena

Kicking intro out of Dancin'>Drums and into a typically raucous, rippin', 1978 Samson. You'll dig it for the into alone but the whole thing is a beast
2
Drums
March 2, 1992
The Omni

Heavy calypso rhythms & monstrous punctuation via The Beast make for an epic Drums out of Terrapin. 5 star stuff.
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Comments

Aiko Aiko
Oct. 7, 1977
University of New Mexico

Smooth like silk version with good pep and pace. Hey Now.
Not Fade Away
Aug. 30, 1980
The Spectrum

excellent recommendation thank you--the slow, slinky NFA's are my favorite & this one delivers!
Shakedown Street
Dec. 16, 1992
Oakland Coliseum Arena

Love what Bobby does here --some of the coolest counter-rhythm filling you'll ever hear in this tune...unique version
Help On The Way > Slipknot > Franklin's Tower
Oct. 31, 1990
Wembley Arena

Missing out on one of the best if not the top dog of 1990 right here...Jerry is fully committed as they let the trio out of the gate to start the show and a firmly fun high octane performance emerges...just check out the between verses jamming and fluid guitar leads on Franklin's....you'll think Jerome is back in the 70's and the rest of the band is dialed in as well. Lyrics nailed, Vince fills nicely and of course Bruce is there for extra flourish. Get on it and bump it outta the single digits pls--doesn't need to dwell there.
Crazy Fingers
Sept. 15, 1990
Madison Square Garden

Truly one of the last great ones. A compact yet every note counts version--benefits from energized 1990 revival sound instrumentally and vocally especially. Candidate for best of the 90s for sure. +1
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